I guess it's about time I update my blog and just in case you missed it while posting it up on my other social media channels, here's a video I did in collaboration with Henry's Cameras to feature yours truly and the Fujifilm gear I shoot with.
I wanted to be able to upload the stills I took from my last episode so you guys can take a closer look instead of trying to pause the video which can be kinda annoying especially when you want to see the details of the image. Below you'll see all of the featured images so please let me know your thoughts below and enjoy!
A collection of b-side selects from my time in Berlin, Germany. Honestly, I’ve got a ton more images, but at the rate that I’m finding time to share on instagram, I’ll be lucky if I get most of these uploaded before the 1 year mark of my time in Europe comes around.
I find that the best way to really shake the rust off when you haven’t shot street in a while is to go to these massive public events where everyone has a camera out and just shoot with little possibility of confrontation. I mean, really if someone were to be that pissed that you’re taking their picture at something like a pillow fight, then they’ve obviously need to use their pillow to catch up on their sleep.
Usually when the lighting is as drab as it was today, I just opt to stay home but in these cases, the flat lighting takes one photographic variable out of the equation and gets you to focus on composition and getting your timing down - both of which I felt was still in Winter hibernation mode. (seemingly all the snow indicated that Spring was still in hibernation mode too)
This was also an excuse to stretch my in story-telling and editing muscles as those I feel need a good workout as well. I mean, I hardly look at images the minute I get home from a shoot so it was weird adhering to a false sense of time sensitivity as I gave myself a deadline to work with. I just wanted to see if I could still curate images quickly and narrow down a story to only a few selects.
Given the nature of social media and how I’m terrible at posting on the fly, I knew I’d never keep up with those who tweet and actually ‘insta’gram. Probably another reason why I think I wouldn’t be a good photojournalist.
In any case, trying to narrow things down to 10 images or less was a struggle. Even when narrowing things down in Lightroom with first flagging selects, then colour coding, then again with star ratings, I still ended up with about 17 images. Fail. Might as well share the link to the rest of the 50+ images for the While I’m at it. Click here to view the rest of them on facebook.
Good thing this event is pretty self explanatory because I’d feel pretty bad if you still didn’t get the concept of a pillow fight just by looking at the images. Clearly it’s simply legal assault ;)
Hey, if any of you guys have some solid techniques when it comes down to narrowing down selects for photo essays, feel free to let me know, otherwise enjoy the snaps!
Lately I’ve been taking a step back from my usual way of shooting to embrace/experiment with a form of photography that I’m absolutely unfamiliar with - minimalism. As far as street photography goes, I once never considered anything without people to be “street”. As my definitions for the genre change (along with the incessant need to define everything) I start to realize that the true appeal for this hobby is the art of seeing.. differently.
What I find interesting is that I used to look at images like this and ‘not get it’. I probably still don’t. I’m not even sure if this is what it should be - I’m no art major and I feel like somehow these things follow a formula that was mentioned in page 5 of “Contemporary Art 101" but until I get my degree, I’ll have to fake it until I make it. What I do know is that pictures of banal objects in everyday life isn’t the decisive moment, it’s not full of interesting characters, nor does it necessarily contain the human condition but in a way it’s still surrounds us and often these shapes and forms go unnoticed.
To me, it’s an exercise in seeing. Trying to master something like this isn’t easy. I often even find myself having to look away or simply leave the images alone for an extended period of time because my eyes get numb to the idea and I’m no longer comprehending what I’m looking at. My goal is to be able to quickly identify these forms and incorporate them into my usual photography to give it more depth. It’s not gonna happen overnight, but hopefully in time, something will come out of this.
It’s gonna take some effort and practice but it’s fine ‘cause changing things up and challenging myself in different ways is one way to keep things fresh - even if it’s frustrating to wrap my head around it at first. For now, consider this a snapshot of what’s going on behind the scenes as my winter hibernation comes to a close and the golden light opportunities finally return.
A collection of b-side selects from my 3rd day in Cologne, Germany.
These are a small sample of images I didn’t post to my instagram feed ‘cause at the rate that I was posting, it would’ve taken another month to get stuff online. So here’s some imagery, sans captions for the sake of sharing. Enjoy!